Music Teacher Eats: A Week of Easy, Healthy Meals (Fall Edition)

Are you a piano teacher (or independent music teacher of any instrument?) 

Does the schedule of your occupation create obstacles in food planning/meals making you feel like you’re in a rut or frequently in “survival” mode?

Then, this post is for you!

Thanks to my good friend, Christina Whitlock, creator of the Beyond Measure Podcast, I’ve found a fun way to pull food fun into the mix a little more here!

Here’s a snippet into a text between the two of us several months ago (shared with permission 🙂 ).

Can you relate to her sentiments? 🙂

Thanks to her, I’m launching this new blog post series called “Music Teacher Eats: A Week of Easy, Healthy Meals”. You can look forward to a new edition of this series coming out at least once a season (fall, winter, spring, summer) and possibly even some holiday versions.

Before we continue, a few disclaimers:

First, I will do my best to meet Christina’s request of easy, healthy, and can be done in 30 minutes or less after teaching (assuming a little prep work has been done 🙂 – see the post: Food Prep and the Studio Schedule for more on that!)

Second, as we all know, the words “easy” and “healthy” can mean completely different things to different people. I vow to do my best to take an overall general approach to both of these words and will also keep in mind that some of you (unlike me) may be serving families with kids.

Third, all of the recipes I suggest here are ones that I have tried and love. I may not be a recipe website, but I cook A LOT and am really picky about quality recipes. Rest easy that everything I share today is a recipe worth keeping. 

Fourth, while I cook a LOT from the subscription sites America’s Test Kitchen and Milk Street, I avoided including recipes from them. (It was hard though because their recipes are soooo good!) All recipes included can be found for free online.

I hope you find something in this suggested weekly meal plan that’s new, exciting, and most importantly, useful in easing the burden of meal planning as a studio music teacher!

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Food Prep and the Studio Schedule

Are you wondering why in the world you’re seeing a food post on a piano teacher blog? 

Well, first of all, if you don’t know me already, besides piano teaching, one of my life passions is cooking.

Second, we eat, right?

Third, as we can all attest, the schedule of the independent music teacher can make mealtime a struggle – especially if you have a family. After school and early evening is prime time for both music lessons AND asking the universal question, “what’s for supper?” If you’re the person in your family who’s generally in charge of mealtime, this can make for a real struggle!

Today, I want to share with you my three biggest food prep tips for keeping your meal-time work efficient and organized. Then, when you walk out the door of your studio late in the evening, you can breathe easy knowing dinner will be ready in a jiffy.

Also, stay tuned for a new post series coming up called Music Teacher Eats for meal plan ideas that are easy, healthy, and quick to prepare!

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Friday Finds #233: Best of October

 

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A Holiday Season Survival Guide for Piano Teachers (Mallory Byers | Alfred Music Blog)

 

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If you’re an MTNA member with an established studio and teaching professionally for no more than three years, consider applying for the MarySue Harris Studio Teacher Fellowship. It’s a wonderful opportunity for new teachers and one I wish I knew about when I first started my studio.

 

3

You guys, I have developed a serious hobby of creating playlists on Spotify. My husband gets the biggest kick out of it. Over Fall break last week we traveled to Virginia Beach for a speaking session on digital management strategies I gave to a local group there. On the way home I created two: Indiana, My State, and Halloween.

 

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An Indiana town is wooing new residents with on-demand grandparents. (NPR) Is this absolutely beautiful or what?

 

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No time for Theory in piano lessons? Copy J.S. Bach’s time-saving approach! (Rebekah Maxner) Not the first time I’ve heard this idea but for some reason, Rebekah really made it come alive and really inspired me to start doing this.

 

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Contributor to MTNA’s *NEW* Quarterly Business Digest

Are you a member of MTNA (Music Teacher’s National Association)? If so, you may or may not have caught their most recent venture – a quarterly Business Digest!

 

The growth of MTNA’s business resources has been an important focus and implementation for current president Karen Thickstun.

One of the first projects (that I know of) was developing the Business Resources section of the MTNA website.

 

After Karen started her MTNA Presidency this past March, she passed the reigns on the new Email Business Digest to Beth Klingenstein.

You all likely know me well enough that piano teacher resources are the name of my game as I’ve been writing the weekly Friday Finds series since the blog started!

Thus, I have joined a team of several other teachers led by Beth to bring you this quarterly digest! 

I’m working on two sections: “Resource Gems” (along with fellow teacher Jennifer Walschap), and  “Technology Tips and Tools” (along with fellow teacher Jennifer Stadler)

I hope you will find these resources to be invaluable for running your own independent music studio!

If you’re not a member of MTNA, consider joining today!

Friday Finds #232: Music Staff Magnet Boards

 

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On a recent “Your Questions Answered” post on what method and theory books I use, a reader shared in a comment about a resource she was using and loving called Easy Notes by Rebecca Wilson.

One of the tools in this series is a pretty cool magnet board which, after having a look myself on her recommendation, inspired this week’s finds. First of all, I thought it might be nice to hear directly from this reader on why she loves Easy Notes.

I have recently found and love Easy Notes by Rebecca Wilson (find it at wilbecks.com). There are two workbooks, as well as charming character magnet manipulatives. I have used mnemonics, not because I thought it was the way to go, but because I didn’t know there was a better way (yes, I use intervals some too).

Easy Notes teaches note names (four octaves) through stories. It’s simple and whimsical, and the students really like it. Most importantly, it is making a difference in their note reading.

I only happened upon her and her new creation when I watched a webinar. I think she’s from New Zealand. The workbooks used to be $10 each but are now $18 each, but I recommend the Easy Notes Teachers Kit (with Large Magnetic Stave) for $109.99. The Easy Note Student Kit (with Small Magnetic Stave) is $99.99, is fine, too, but I just like having more space between the treble and bass staff.

-Ginny G.

 

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E-Z Notes

This was the first magnet board I purchased. I love that it’s compact, double-sided, and has multi-colored magnets that come along with it. I did find the space above and below the staff a bit cramped for teaching ledger line notes though.

Lots of other great resources available on this site as well.

 

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After E-Z Notes, my next find for a magnet board was from Musical Escapades. Similar to E-Z notes, I like the compact size of the board and multi-colored magnets that accompany it. It’s not doubled-sided like E-Z notes but there is more space for ledger line notes.

I find both the E-Z Notes and Musical Escapades staff board magnets to be a bit small to manipulate but with the more compact size, that’s to be expected.

 

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MusicToolsLady.com, besides a staff magnet board she also has a great music note slider tool as well.

 

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Here are some really cool roll-up magnetic-backed boards!

 

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Many of these listed above as well as others are (of course!) available on Amazon.

 

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Want a cost-effective option? Check out Susan Paradis’s “do-it-yourself” version!

 


What am I missing? 

Do you have any other great music staff magnet board resources to add to the mix? Share in the comments!

Christmas Tunes to Harmonize: A Free Reference Sheet

One of the most downloaded free resources here on Piano Pantry is 147 Tunes to Harmonize: Traditional, Popular, and Christmas.

Due to the popularity of this download as well as the recent release of my new book Christmas by Ear: 8 Tunes to Harmonize, I thought now was a perfect time to share with you a FREE handy quick reference guide of Christmas tunes to harmonize!

Each of the 20 tunes included are well-known traditional ones that are in the public domain.

Often, students are happy to play only a portion of a favorite tune. While many Christmas tunes have a little more complicated harmonizations, sometimes the opening portion or the chords are more simplified. For this reason, a few are listed twice.

For example, you can harmonize the open two phrases of Deck the Halls using only tonic and dominant. Many’s students might get a kick out of being able to play even a few phrases of favorite tunes by ear without having to learn the whole thing!

Here are a couple of quick ideas on how you could use it:

  1. Pull it out when students forget their materials or haven’t practiced enough on their pieces.
  2. Practice harmonizing these tunes on your own to develop your own ear!
  3. Have students choose one piece off the list that they’re not learning as part of their Christmas repertoire and have them work on playing chords while they sing! One of my favorite first steps with students is to play root position chords in the RH and either chord roots or root octaves in the LH.

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Friday Finds #231: Playing By Ear

With this week’s launch of my new Christmas by Ear: 8 Tunes to Harmonize book, I thought it would be fitting for this week’s finds to continue on the theme of harmonizing and playing by ear. 🙂

P.S. There’s a 15% off launch celebration discount going on that will end on Oct. 26 so don’t delay in getting your copy!

 

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Is Learning to Play by Ear Worth it? What the Best Piano Education Experts Really Think (Piano Picnic)

I, along with a lot of other wonderful online content creators, chimed in on this post a few years ago.

 

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How Do You Play a Song By Ear? (Musical You)

 

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I know playing by ear can be a hard topic – it’s something I struggle with every day myself. If we do anything with our students on playing by hearing though as piano teachers, let it be about them playing “Happy Birthday“.

Just this week I had one of my 6th-grade students excitedly tell me about how she gets to be part of the middle school show choir now. In their first practice, the teacher asked if anyone could play the piano. After stating she did, the class (of course!) asked her to play something. What did she play? Happy Birthday! She was SO PROUD she could sit down and do that!

Happy Birthday By Ear: The Ultimate Teaching Resource.

 

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3 First Pop and Rock Songs to Teach by Ear (Chrissy Ricker)

 

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How to Play Pop Tunes by Ear (Bradley Sowash)

 

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How to Simplify and Teach a Pop Song By Ear (Creative Piano Teaching Podcast #107)

 

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While I’ve had a small handful of students over the years that have incredibly strong ears for playing music by ear, this little guy is probably one of the best. He amazes me at every lesson! Hear him play “Row, Row, Row Your Boat” in 12 keys.

 

The Most Versatile Christmas Book You’ll Ever Own

Teacher: “Billy, do you want to play any Christmas music this year?”

Billy: “Eh, no not really.”

Am I right when I say this is a phrase you rarely if ever hear from piano students? 🙂

I would suffice to say that Christmas is the time of year when many students get most passionate about what they want to play. Some have quite strong feelings about what favorite Christmas tunes they want to play and some just want to play as much as they possibly can.

Today I’m excited to share with you a new Christmas book that is unlike any other Christmas book for piano students. 

I’m confident that you’ll not only find it to be completely unique, but incredibly versatile as well.

What is it?

It’s a book of 8 Christmas tunes to harmonize and play by ear including:

  1. I Saw Three Ships
  2. Away in a Manger
  3. Silent Night
  4. Up On the Housetop
  5. Go Tell it On the Mountain
  6. Jingle Bells
  7. Joy to the World
  8. The First Noel

 

Goals of this Book

The overarching goal of this book is to enable piano students to feel like they can sit down and play some of their favorite Christmas tunes anywhere and at any time without notation in front of them.

Many students find great joy in the annual musical feast that comes around each year making it a great opportunity for the development of life-long musicianship skills.

Students will be encouraged to discern between duple vs. triple meters and major vs. minor tonalities, learn to harmonize using chords, play in a variety of keys, use several accompaniment patterns, and more.

The format encourages the development of audiation, improvisation, and creativity skills by presenting multi-level steps/variations on playing each tune. Each song includes its own checklist so students can use and build on these sheets year after year as their skills progress.

Besides developing skills for playing by ear and playing tunes in a variety of ways, students are also gaining the valuable skill of learning how to play from a chord chart in any key.

Think of it kind of like “build-a-bear” – students are “building-a-book” of Christmas music! 🙂

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Favorite Collections of Christmas Music

This post is part of a series called Your Questions Answered that highlights questions from readers just like you. If you have a question you would like to submit, you can do so here.

 


Hi Amy!

Do you have favorite collections of Christmas music for your students?

My middle kid wants me to get out ‘the’ Christmas music book (we have a very old primer from my in-laws).

I told him he had to learn two new songs from a non-Christmas book before I would think about that. So, he sat down and sight-read the whole Faber Piano Adventures, Level 2A Performance book. 🤨 😮 (I guess the desire for Christmas music was a good motivator!) So, I’m going to get the Faber Christmas books for levels 2 and 3.

Do you have any other recommendations?

-Anna Parkinson


Hey, Anna!

Why yes, I do! I actually have an entire blog post dedicated to some of my “Trusty Christmas Favorites.

But first of all, bravo to you for finding a way to light the fire for your kiddo! It sounds like you’re probably headed in the right direction.

As far as Faber goes, I don’t know if you intend on doing the Christmas books that correlate to the student library or the ones that are part of the “Show Time,” “Big Time,” and “Play Time” series. While either is fine, my personal preference is the latter.

Since I have a whole post of my favorites, I won’t share too many more details here but will mention that you might also consider getting him the  Adult Piano Adventures Christmas Books.

Each book has a lot of music. The first 1/3 of book 1 is labeled as “beginning Christmas songs: easy arrangements with simple harmonies.” Section 2 has 13 pieces labeled as “Christmas songs in the key of C Major with I, IV, and V7 chords) and Section 3 is the same but in the key of G Major.

Due to the primary-chord structure and keys included, I would say book one is leveled with the student library up to level 3A.

I started trying some of Piano Pronto’s holiday books in the last couple of years. I haven’t used any of them long enough to say they’re ones I return to “year after year,” but there are some unique little finds. In particular, you might consider the Multi-Level Holiday Classics, which includes three difficulty levels for each piece.

Some of my older students enjoyed the arrangements in Christmas Classics: Contemporary Lyrical Solos. That book would probably not be his best next step, but I still wanted to mention it.

I hope this helps!

~Amy

9/2022 Update

My new Christmas By Ear collection is now available in the Piano Pantry shop!


Do you have any favorite Christmas collections? Share in the comments!

 

What Method and Theory Books Do You Use?

This post is part of a series called Your Questions Answered that highlights questions from readers just like you. If you have a question you would like to submit, you can do so here.

 


Good afternoon Amy,

I am wondering what your favorite method is to use? Why? Also what book do you use for theory. I appreciate your articles so I thought I would ask.

Thank you, Shirlee

 


Hi, Shirlee!

My favorite theory book series right now is the Celebrate Theory from The Royal Conservatory. Some of the things I like about it include:

  1. They’re clean, and uncluttered, and the covers are colorful.
  2. They’re well written and nicely laid out.
  3. At the end of every unit, students are asked to explore an excerpt of music (printed in the book) and answer questions in regards to what they see in the score.

I also use Fundamentals of Piano Theory by Keith Snell and Theory Gymnastics by TCW Resources (both published by Kjos) as well as Ready for Theory by Lauren Lewandowski.

Generally, this is when I have multiple students from one family. In order to avoid siblings comparing themselves, I like to keep them in different series. Otherwise, Celebrate Theory is what all my students get.

As far as the favorite method goes, it’s a much more involved answer as I have used it a lot over the years!

Currently, my go-to books include:

Tales of a Musical Journey by Irina Gorin

I really appreciate how Irina introduces technique (playing with fingers 3 and 2 first), as well as the note reading approach using landmark notes.

Even though it’s written in a storybook format, I tend to gloss over that part with my students unless they seem particularly interested.

While the series is directed toward younger beginners, I also use it with late elementary age students with success.

Music Moves for Piano by Marilyn Lowe

This series isn’t your traditional piano method however as it’s based on Music Learning Theory by Edwin E. Gordon.

That is, it uses an audiation-based approach to teaching music. Notation is not introduced the right way as in traditional methods.

It is full of a lot of singing, movement, and aural activities such as hearing the difference between duple vs. triple meter and major vs. minor tonality and building a vocabulary of rhythm of tonal patterns.

The pieces are very short and easily digestible. When I first started using this series that was actually a turn-off for me but I have found that my students really enjoy the pieces and it was more my issue than theirs!

Piano Adventures by Randall and Nancy Faber

While I’ve used the entire series with students in the past, currently, I mostly use book 1.

Very few of my students start one series and complete the whole thing, I tend to supplement a lot and zig-zag in and out of books and levels.

Level 1 of Piano Adventures is a winner though. It has a lot of really great pieces students love!

 

~Amy

 


What method and theory books do you use and love? Share in the comments!